Tuesday, 29 July 2014

TRIBUTE TO WILLIAM BLAKE

 Born in 1757 in London, England, William Blake began writing at an early age and claimed to have had his first vision, of a tree full of angels, at age 10. He studied engraving and grew to love Gothic art, which he incorporated into his own unique works. A misunderstood poet, artist and visionary throughout much of his life, Blake found admirers late in life and has been vastly influential since his death in 1827.



Early Years.


William Blake was born on November 28, 1757, in the Soho district of London, England. He only briefly attended school, being chiefly educated at home by his mother. The Bible had an early, profound influence on Blake, and it would remain a lifetime source of inspiration, coloring his life and works with intense spirituality. At an early age, Blake began experiencing visions, and his friend and journalist Henry Crabb Robinson wrote that Blake saw God's head appear in a window when Blake was 4 years old. He also allegedly saw the prophet Ezekiel under a tree and had a vision of "a tree filled with angels." Blake's visions would have a lasting effect on the art and writings that he produced.

The Young Artist


Blake's artistic ability became evident in his youth, and by age 10, he was enrolled at Henry Pars's drawing school, where he sketched the human figure by copying from plaster casts of ancient statues. At age 14, his apprenticed him to an engraver. Blake's master was the engraver to the London Society of Antiquaries, and Blake was sent to Westminster Abbey to make drawings of tombs and monuments, where his lifelong love of gothic art was seeded.Also around this time, Blake began collecting prints of artists who had fallen out of vogue at the time, including Durer, Raphael and Michelangelo. In the catalog for an exhibition of his own work in 1809, nearly 40 years later, in fact, Blake would lambast artists "who endeavour to raise up a style against Rafael, Mich. Angelo, and the Antique." He also rejected 18th century literary trends, preferring the Elizabethans (Shakespeare, Jonson and Spenser) and ancient ballads instead.

The Maturing Artist


In 1779, at age 21, Blake completed his seven-year apprenticeship and became a journeyman copy engraver, working on projects for book and print publishers. Also preparing himself for a career as a painter, that same year, he was admitted to the Royal Academy of Art's Schools of Design, where he began exhibiting his own works in 1780. Blake's artistic energies branched out at this point, and he privately published his Poetical Sketches (1783), a collection of poems that he had written over the previous 14 years. In August 1782, Blake married Catherine Sophia Boucher, who was illiterate. Blake taught her how to read, write, draw and color (his designs and prints). He also helped her to experience visions, as he did. Catherine believed explicitly in her husband's visions and his genius, and supported him in everything he did, right up to his death 45 years later. One of the most traumatic events of William Blake's life occurred in 1787, when his beloved brother, Robert, died from tuberculosis at age 24. At the moment of Robert's death, Blake allegedly saw his spirit ascend through the ceiling, joyously; the moment, which entered into Blake's psyche, greatly influenced his later poetry. The following year, Robert appeared to Blake in a vision and presented him with a new method of printing his works, which Blake called "illuminated printing." Once incorporated, this method allowed Blake to control every aspect of the production of his art.

While Blake was an established engraver, soon he began receiving commissions to paint watercolors, and he painted scenes from the works of Milton, Dante, Shakespeare and the Bible.



Proverbs of Hell.

In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock, but of wisdom: no clock can measure.
All wholsom food is caught without a net or a trap.
Bring out number weight & measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloke of knavery.
Shame is Prides cloke.
Prisons are built with stones of Law, Brothels with bricks of Religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of eternity too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion. woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish smiling fool, & the sullen frowning fool shall be both thought wise, that they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbet; watch the roots; the lion, the tyger, the horse, the elephant, watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time, as when he submitted to learn of the crow.


The fox provides for himself. but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fools reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how he shall take his prey.
The thankful reciever bears a plentiful harvest.
If others bad not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an Eagle, thou seest a portion of Genius. lift up thy head!
As the catterpiller chooses the fairest leaves to lay her eggs, so the priest lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces: Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!



The head Sublime, the heart Pathos, the genitals Beauty, the hands & feet Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl, that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox. he would be cunning.
Improvement makes strait roads, but the crooked roads without Improvement, are roads of Genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or Too much.




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Tuesday, 22 July 2014

GOUA TREES VOL01



Some brushes made from trees.

Number of Brushes: 26
Dimensions Pixels: 1095X1476
300 pix/inc



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GOUA STATUE FIGURES


A set of brushes based on sketches of statues.

Number of Brushes: 22
Dimensions Pixels: 1824X1568
300 pix/inc







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Thursday, 17 July 2014

GOUA SHADOW GIRL



Μερικές πανέμορφες βούρτσες
Some beautyfull brushes.

Number of Brushes: 26
Dimensions Pixels: 1147X1339
300 pix/inc


 
  

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Wednesday, 16 July 2014

PASSEGER


                                                                                                             
  PASSEGER                                








"The Passenger" is a song by Iggy Pop and Ricky Gardiner, recorded and released by Iggy Pop on the Lust for Life album in 1977. It was also released as the B-side of the album's only single, "Success".

The lyrics, written by Iggy Pop allegedly aboard Berlin's S-Bahn, have been interpreted as embodying the nomadic spirit of the punk outcast. Guitarist Ricky Gardiner composed the music. While it possesses a distinctive riff, "The Passenger" is perhaps most recognizable by its chorus, on which David Bowie sings back-up. The song is loosely based on a poem by Jim Morrison.

Monday, 14 July 2014

Graphic arts


Graphic arts


A type of fine art, graphic art covers a broad range of art forms. Graphic art typically is two-dimensional and includes calligraphy, photography, drawing, painting, printmaking, lithography, typography, serigraphy (silk-screen printing), computer graphics, and bindery. Graphic art also consists of drawn plans and layouts for interior and architectural designs.The responsibility for effective communication also falls under the auspices of the graphic designer.


History
Throughout history, technological inventions have shaped the development of graphic art. In 2500 B.C., the Egyptians used graphic symbols to communicate their thoughts in a written form known as hieroglyphics. The Egyptians wrote and illustrated narratives on rolls of papyrus to share the stories and art with others.During the Middle Ages, scribes manually copied each individual page of manuscripts to maintain their sacred teachings. The scribes would leave marked sections of the page available for artists to insert drawings and decorations. Using art alongside the carefully lettered text enhanced the religious reading experience.
Johannes Gutenberg invented an improved movable type mechanical device known as the printing press in 1450, the first outside of Asia. His printing press facilitated the mass-production of text and graphic art and eventually, replaced manual transcriptions altogether.
Again during the Renaissance years, graphic art in the form of printing played a major role in the spread of classical learning in Europe. Within these manuscripts, book designers focused heavily on typeface.
Due to the development of larger fonts during the Industrial Revolution, posters became a popular form of graphic art used to communicate the latest information as well as to advertise the latest products and services.
The invention and popularity of film and television changed graphic art through the additional aspect of motion as advertising agencies attempted to use kine
tics to their advantage.
The next major change in graphic arts came when the personal computer was invented in the twentieth century. Powerful computer software enables artists to manipulate images in a much faster and simpler way than the skills of board artists prior to the 1990s. With quick calculations, computers easily recolor, scale, rotate, and rearrange images if the programs are known.
The scientific investigations into legibility has influenced such things as the design of street signs. New York City is in the process of changing out all of its street signs bearing all capital letters for replacement with signs bearing only upper and lower case letters. They estimate that the increased legibility will facilitate way-finding and reduce crashes and injuries significantly.


Graphic Design Software
Graphic artists applying for positions in today's job market are expected to be familiar with computers and a variety of software programs in order to create the most appealing, up to date designs.
Graphic art software includes applications such as:


Adobe Dreamweaver – a tool that facilitates the creation of webpages and dynamic internet content
Adobe Illustrator – an application that allows artists to manipulate vector graphics
Adobe InDesign – desktop publishing software used for layout and design manipulation
Adobe Photoshop – a bitmap graphics software including powerful graphics editing tools that provide a large variety of editing functionality
CorelDRAW – similar to Adobe Illustrator, it is another vector graphic manipulation tool
PhotoImpact – a digital photograph editor
QuarkXPress – similar to Adobe InDesign, it is another desktop publishing software tool

Free Software
Paint.net - photograph editing capabilities with lots of plugins to expand use
GIMP - similar to paint.net and Photoshop

Beside computers and software, graphic artists are also expected to be creative with processing camera work, registration, crop marks, and masking.

Somewhere Over The Rainbow ( A TRIBUTE TO ANDREW WYETH )




Christina's World (1948)
Museum of Modern Art, New York City

Andrew Newell Wyeth (July 12, 1917 – January 16, 2009) was a visual artist, primarily a realist painter, working predominantly in a regionalist style. He was one of the best-known U.S. artists of the middle 20th century.

In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine. Wyeth often noted: "I paint my life." One of the best-known images in 20th-century American art is his painting, Christina's World, currently in the collection of the Museum of Modern Art in New York City. This tempera was painted in 1948 when Wyeth was 31 years old.

OLD FILM TEXTURE

 Ένα πακέτο από εφέ για να δώσουν τις εικόνες σας την αίσθηση παλιού φιλμ.

A package of effects to give your images an old   film feeling.

 
  


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Friday, 11 July 2014

BLINK,

"Είναι τα βλέφαρά μου διάφανες αυλαίες.
 Όταν τ'ανοίγω βλέπω εμπρός μου ό,τι κι αν τύχει.
 Όταν τα κλείνω βλέπω εμπρός μου ό,τι ποθώ."


― Ανδρέας Εμπειρίκος, Ενδοχώρα 



 




Wednesday, 9 July 2014

GOUA ADVERTISING


Ολόκληρη η συλλογή από παλιές διαφημίσεις. Δώδεκα τόμοι. Τριακόσιες τριάντα έξι βούρτσες.
Entire collection of old advertisements. Twelve volumes. Three hundred thirty-six brushes.


  
   
   
   


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